No. of Authors | First Footnote | Subsequent Footnote | Bibliography |
---|---|---|---|
One |
1 Mari Ruti, Feminist Film Theory and Pretty Woman (New York: Bloomsbury Academic, 2016), p. 44. |
2 Ruti, p. 42. |
Ruti, Mari, Feminist Film Theory and Pretty Woman (New York: Bloomsbury Academic, 2016) |
Two |
2 Ann Curthoys and John Docker, Is History Fiction?, 2nd edn (Sydney: University of New South Wales Press, 2010), p. 67. |
5 Curthoys and Docker, p. 151. |
Curthoys, Ann, and John Docker, Is History Fiction?, 2nd edn (Sydney: University of New South Wales Press, 2010) |
Three |
4 John Esposito, Darrell Fasching and Todd Lewis, World Religions Today, 5th edn (New York: Oxford University Press, 2015), pp. 522-23. |
6 Esposito, Fasching and Lewis, p. 525. |
Esposito, John, Darrell Fashing, and Todd Lewis. World Religions Today, 5th edn (New York: Oxford University Press, 2015) |
Four or more |
3 Kevin F. McCarthy, and others, Gifts of the Muse: Reframing the Debate About the Benefits of the Arts (Santa Monica: RAND Corporation, 2001), p. 52. |
6 McCarthy and others, p. 53. |
McCarthy, Kevin F., and others, Gifts of the Muse: Reframing the Debate About the Benefits of the Arts (Santa Monica: RAND Corporation, 2001) |
Groups |
2 Museum Victoria, Treasures of the Museum, Victoria, Australia (Melbourne: The Museum, 2004), p. 39. |
3 Museum Victoria, p. 105. |
Museum Victoria, Treasures of the Museum, Victoria, Australia. (Melbourne: The Museum, 2004) |
It is best practice to avoid secondary referencing. Whenever possible find the original source and cite this. If this is not possible because the original is not available then use a secondary reference.
Walz, Robin, Modernism (Edinburgh: Pearson Education, 2008)
… Walz quotes Astradur Eystensson's statement that "it has come to serve a crucial function"1.
1 Astradur Eysteinsson, The Concept of Modernism (Ithaca: Cornell University Press, 1990), p. 7, cited in Robin Walz, Modernism (Edinburgh: Pearson Education, 2008), p. 56.