
As part of the Excellence in Research in Australia 2018, the Australian Research Council is requesting ACU provide ORCIDs as a component of the ERA submission.
In our continued support of research and researchers at ACU, we in the Library are happy to assist researchers in the generation and maintenance of ORCID, the Open Researcher and Contributor Identification (https://orcid.org/)
To that end we are coordinating ORCID Week from the 20th-24th November to increase awareness about ORCID, and to encourage as many academic staff and higher degree by research students as possible to create and to populate their ORCID with their publications.
This will involve our library staff visiting Schools and Institutes, and assisting your staff register for ORCID, as well as collecting ORCIDs. There will be events on campuses in this week to raise awareness about ORCID and its role in the scholarly process. We will be posting more details about these events in the Staff Bulletin.
For more information contact your Senior Library Coordinator, LARS Fiona Gibson

What is open access?
Open access is the immediate online availability of information, with no limits on reuse, re-purposing or sharing.
By giving people free unrestricted access to information regardless of their financial situation, the open access movement is fundamentally changing the way we teach, learn, conduct and share research.
Why does it matter?
When research is freely and immediately available, it is easier to find information that helps us innovate, discover and make scientific breakthroughs.
Sharing knowledge is good for all of us, and that’s why open access is so important.
Learn more about Open Access: library.acu.edu.au/openaccess

The library is currently piloting our new reading list software, Leganto. We anticipate that Leganto will simplify the process of creating and maintaining reading lists, and applying copyright. The pilot was very successful and the majority of academics who used it for their courses this year were very pleased with the usability and performance of the software. Two academics from the Faculty of Theology and Philosophy, Jason Macfarland and Gareth Wearne, participated in the pilot and were very happy with the performance and ease of use.
The next step in the roll out is to introduce it to each faculty and we are pleased to say that Theology and Philosophy will be the first faculty to have full access to it, starting in Semester 1, 2018. In preparation for this, we would like to start familiarising academic staff with the software and offering training sessions. Ideally, all academic staff in the faculty will receive training in the use of Leganto before they finish this semester.
For more information contact your Senior Library Coordinator, LARS Fiona Gibson

Artstor is a non-profit organization that builds and distributes the Digital Library, an online resource of more than 2 million images in the arts, architecture, humanities, and sciences.
The Digital Library is continually expanded by new contributions such as: Mark Rothko Estate; Latin American Art (Cisneros Collection); San Francisco Museum of Modern Art (SFMOMA); Christopher Roy: African Art and Architecture; Berlin State Museums; the Gernsheim Corpus of Master Drawings (185,000 images of old master drawings); Larry Qualls Archive (100,000 images documenting 30 years of New York City gallery exhibitions); architectural photography from Esto, Canyonlights and ART on FILE; university collections from Harvard and Yale; and historical photo archives such as the National Gallery of Art and Frick Art Reference Library, among many others.

This resource brings together manuscript, printed and visual primary source materials for the study of global commodities in world history. The commodities featured have been transported, exchanged and consumed around the world. They helped transform societies, global trading operations, habits of consumption and social practices. Types of materials include business accounts, mercantile papers, government reports, dock records, and advertisements. The 15 commodities represented are: chocolate, coffee, cotton, fur, opium, oil, porcelain, silver and gold, spices, sugar, tea, timber, wheat, and wine and spirits.
Fiona Gibson Senior Library Coordinator, LARS, Music, Visual Arts
Daryl Bailey Senior Librarian, LARS, Arts
Cut & Paste title into the Library Search Page
| 100 works of art that will define our age |
| A course in number theory and cryptography |
| A creator's guide to transmedia storytelling : how to captivate and engage audiences across multiple platforms |
| A force so swift : Mao Truman, and the birth of modern China, 1949 |
| A maid with a dragon : the cult of St Margaret of Antioch in medieval England |
| A short guide to writing about music |
| Acting in person and in style in Australia |
| Agitate, Educate, Organise, Legislate : Protestant Women's Social Action in Post-Suffrage Australia |
| Alfred Hitchcock : a brief life |
| An introduction to global citizenship |
| Ancient Near Eastern history and culture |
| Angels in America, Part One: Millennium Approaches |
| Antebellum Slave Narratives : Cultural and Political Expressions of Africa |
| Audio production and postproduction |
| Before You Write Your Novel : Essential Skills for the First-time Novelist |
| Beyond the score : music as performance |
| Bodies that remember : women's indigenous knowledge and cosmopolitanism in South Asian poetry |
| Charlemagne |
| China model : political meritocracy and the limits of democracy |
| Code breaking in the Pacific |
| Communicating in geography and the environmental sciences |
| Communicating In The 21st Century |
| Creamier : contemporary art in culture : 10 curators, 100 contemporary artists, 10 sources |
| Creative Writing : Writers on Writing |
| Cut that out : collage in contemporary design |
| Danger Music : How teaching the cello to children in Afghanistan led to a self-discovery almost too hard to bear |
| Design futuring : sustainability, ethics and new practice |
| Digital photography masterclass |
| Economic Development |
| Elementary number theory, cryptography and codes |
| Elements of geometry and conic sections |
| Epic and empire in nineteenth-century Britain |
| Essentials of economics |
| European populism in the shadow of the Great Recession |
| Extinctions |
| Forgetfulness : making the modern culture of amnesia |
| Global sourcing in the textile and apparel industry |
| Goths, gamers, and grrrls : deviance and youth subcultures |
| Haunting realities : naturalist Gothic and American realism |
| History of wolves : a novel |
| Household sustainability : challenges and dilemmas in everyday life |
| How change happens : interdisciplinary perspectives for human development |
| How to write about music : excerpts from the 33 1/3 series, magazines, books and blogs with advice from industry-leading writers |
| HTML and CSS : Design and Build Web Sites |
| Human development report 2016 : human development for everyone |
| Incidents in the life of a slave girl : seven years concealed |
| Innovations in Transformative Learning : Space, culture, & the arts |
| Inside subculture : the postmodern meaning of style |
| Literary Journalism and the Aesthetics of Experience |
| Macroeconomics / David C. Colander |
| Macroeconomics / Olivier Blanchard |
| Macroeconomics : principles, problems, and policies |
| Master Narratives, Identities, and the Stories of Former Slaves |
| Media effects research : a basic overview |
| Medieval English romance in context |
| Merchants, Bankers, Governors: British Enterprise In Singapore And Malaya, 1786-1920 |
| Methods & theories of art history |
| Middle English Romance and the Craft of Memory |
| Mixing Audio : Concepts, Practices, and Tools |
| Modern Recording Techniques |
| Modernism: The Basics |
| Morality and Power : On Ethics, Economics and Public Policy |
| Music Business Handbook and Career Guide |
| Musical theatre, realism and entertainment |
| New media : an introduction |
| On populist reason |
| Paradise lost / John Milton ; edited by Alastair Fowler |
| Paradise lost : an authoritative text, sources and backgrounds, criticism / John Milton ; edited by Gordon Teskey. |
| Participatory creativity : introducing access and equity to the creative classroom |
| Poetry |
| Populism |
| Populism and the mirror of democracy |
| Populism in Europe and the Americas : Threat or Corrective for Democracy? |
| Populist Political Communication in Europe |
| Populist Radical Right Parties in Europe |
| Populists in Power |
| Principles of macroeconomics |
| Queen bees wannabes : helping your daughter survive cliques, gossip, boys, and the new realities of girl world |
| Race and ethnic relations |
| Race and Racism in International Relations : Confronting the Global Colour Line |
| Radical Right-Wing Populist Parties in Western Europe : Into the Mainstream? |
| Raindance producers' lab : lo-to-no budget filmmaking |
| Re-Covering Modernism : Pulps, Paperbacks, and the Prejudice of Form |
| Risorgimento in Exile : Italian Émigrés and the Liberal International in the Post-Napoleonic Era |
| Scenes of reading : is Australian literature a world literature? |
| Script analysis for theatre : tools for interpretation, collaboration and production |
| Shadowboxing |
| Singing and Dancing to The Book of Mormon : Critical Essays on the Broadway Musical |
| Single-camera video production |
| Sociology : a global introduction |
| Start to finish : Woody Allen and the art of moviemaking |
| Taking control of writing your thesis : a guide to get you to the end |
| Talking to terrorists : how to end armed conflicts |
| Teaching by principles : an interactive approach to language pedagogy |
| Television production |
| The American Slave Narrative and the Victorian Novel |
| The Art of Creative Research : A Field Guide for Writers |
| The art of politics, the politics of art : the place of Indigenous contemporary art |
| The book of Mormon : [the complete book and lyrics of the Broadway musical] |
| The Cambridge companion to slavery in American literature |
| The complete Maus : a survivor's tale, my father bleeds history, and here my troubles began |
| The contest of the century : the new era of competition with China |
| The Cultural Study of Music : A Critical Introduction |
| The disappearing product : marketing and markets in the creative industries |
| The discourse of musicology |
| The Handbook of Creative Writing |
| The Hemingway Short Story : A Critical Appreciation |
| The internet : an introduction to new media |
| The lived experience of improvisation : in music, learning and life |
| The Mask and the Flag : Populism, Citizenism, and Global Protest |
| The ministry of utmost happiness : a novel |
| The Modernist Novel : A Critical Introduction |
| The music and sound of experimental film |
| The Negritude Movement : W.E.B. Du Bois, Leon Damas, Aime Cesaire, Leopold Senghor, Frantz Fanon, and the Evolution of an Insurgent Idea |
| The online journalism handbook : skills to survive and thrive in the digital age |
| The Origin of Others |
| The Oxford History of the Novel in English : Volume 5: The American Novel to 1870 |
| The Penguin history of New Zealand |
| The Pleasures of Structure : Learning Screenwriting Through Case Studies |
| The populist persuasion : an American history |
| The Promise and Perils of Populism : Global Perspectives |
| The Routledge critical and cultural theory reader |
| The Routledge Handbook of Language and Creativity |
| The Shakespeare workbook and video : a practical course for actors |
| The Study of Ethnomusicology : Thirty-Three Discussions |
| The trauma cleaner : one woman's extraordinary life in death, decay & disaster |
| The Underground Railroad |
| The Vagina Monologues |
| Theory in contemporary art since 1985 |
| Trauma-Informed Practices With Children and Adolescents |
| True Colours : My Life as the First Openly Transgender Officer in the British Armed Forces |
| Understanding Popular Music Culture |
| Urban Poverty and Party Populism in African Democracies |
| Very Short Introductions : Populism: A Very Short Introduction |
| Victorian Radicals and Italian Democrats : A Long Connection |
| Visual research methods in the social sciences : awakening visions |
| War Memories : Commemoration, Recollections, and Writings on War |
| What is graphic design? |
| Women's Narratives of the Early Americas and the Formation of Empire |
| World histories from below : disruption and dissent, 1750 to the present |
| World music : traditions and transformations |
| Worlds of music : an introduction to the music of the world's peoples |
| Writing about music : a style sheet |
| Writing for the social sciences |
| Writing for Theatre : Creative and Critical Approaches |
| Writing Short Stories : A Routledge Writer's Guide |